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- “To Teach and to Mentor: Toward Our Collective Future” (2013)
- “Feeling Women’s Culture: Women’s Music, Lesbian Feminism, and the Impact of Emotional Memory” (2012)
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Posts by: The Feminist Spectator
Laura Marks’ incisive new play, given a lovely, spare production by the Women’s Project, in residence at City Center, considers the stakes in a faltering economy for those middle-class workers who never imagined they’d somehow lose everything. Set in 2009, in the darkest days of the recent recession, Bethany tracks the [...]
The status of women directors has received relatively less airtime and press space compared to the perennial woe expressed over the paucity of women playwrights represented on Broadway (or Off, for that matter) and in regional theatre seasons.
Patrick Healy’s recent New York Times article, “Staging a Sisterhood” (2/3/11 issue, [...]
Although I hadn’t yet seen it when the Oscar nominations were recently announced, I was already miffed that Kathryn Bigelow wasn’t among those listed as Best Director contenders for her movie about the capture of Osama Bin Laden. Here was the first woman director ever to win the award, in 2010, for The Hurt Locker, [...]
In another excellent Playwrights Horizons production, director Carolyn Cantor and playwright Amy Herzog create a beautiful mood piece about memory from Herzog’s latest play, The Great God Pan. Though essentially a small domestic drama, Cantor and Herzog and an accomplished cast collaborate to make each intimate moment of emotional and historical ambiguity resonate with questions [...]
I’m not a Les Miz person. That is, I don’t know all the words to the show; I can’t keep the characters straight; and I didn’t see the Broadway production until well into its run, when the actors seemed tired and the audience was mostly comprised of people who didn’t speak English. I wasn’t, in [...]


