- About
- Books
- Articles
- “To Teach and to Mentor: Toward Our Collective Future” (2013)
- “Feeling Women’s Culture: Women’s Music, Lesbian Feminism, and the Impact of Emotional Memory” (2012)
- “Performing Jewishness In and Out of the Classroom” (2012)
- “Casual Racism and Stuttering Failures: An Ethics for Classroom Engagement” (2012)
- “On ‘Publics’: A Feminist Constellation of Keywords” (2011)
- “Unassuming Gender” (2011)
- “The Greater Good” (2011)
- “Colleague-Criticism: Performance, Writing, and Queer Collegiality” (2009)
- “Feminist Performance Criticism and the Popular: Reviewing Wendy Wasserstein” (2008)
- Lectures
- Op’eds
- Interviews
- Teaching
- Archive
Girls
Lena Dunham’s HBO series has been hailed for its sharp, insightful snapshot of 20-something young, white, straight women navigating their New York City lives in a post-Sex and the City moment in which (Bridesmaids aside) nothing has really seemed to catch the zeitgeist from a women’s perspective. Dunham, who plays Hannah, the lynchpin of [...]
The FS Suggests…Split Britches gets the Booth Award
FYI, Split Britches will receive the Edwin Booth Award from the Theatre Program of the CUNY Graduate Center today. I’m sure it’ll be a wonderful conversation. See the link for details. The Feminist Spectator
Link to original post on Blogspot.
The Hunger Games
How sweet is the taste of a movie with a female heroine heralded as the top-grossing non-sequel film debut weekend of all time? And how sweet is it that The Hunger Games, the adaptation of the first novel in Suzanne Collins’s trilogy about Panem, a dystopian country that sacrifices its children for the amusement of [...]
Game Change
by THE FEMINIST SPECTATOR on MARCH 30, 2012 · LEAVE A COMMENT
The HBO-produced adaptation of Mark Halperin and John Heilemann’s best-selling 2009 book, Game Change centers on the John McCain-Sarah Palin part of the ticket for the 2008 Presidential election. While the book looked at Clinton and Obama’s dust-up over the Democratic nomination as well as McCain’s eventual fight for the vote against [...]
Porgy and Bess
by THE FEMINIST SPECTATOR on MARCH 26, 2012 · LEAVE A COMMENT
This controversial production comes to Broadway with the baggage of both historical and contemporary critique. First produced in the 1930s as a “folk opera” by George and Ira Gershwin, and DuBose and Dorothy Heyward, this production, directed by Diana Paulus with a revised book by Suzan-Lori Parks and Deirdre L. Murray, opened August 17, 2011, [...]
Wit
by THE FEMINIST SPECTATOR on MARCH 11, 2012 · 1 COMMENT
Cynthia Nixon, playing the lead in the Broadway revival of Margaret Edson’s play, Wit, does a heroic job putting her own mark against Kathleen Chalfant’s signature performance as the dying Vivian Bearing, the professor and scholar who meets the only fight she can’t win in her struggle with ovarian cancer. In fact, by [...]
The Oscars, 2012
by THE FEMINIST SPECTATOR on FEBRUARY 28, 2012 · 1 COMMENT
What’s a feminist spectator to make of an awards show that honors films that have so little to do with women behind the camera or as central to their stories? Other writers have detailed the appalling lack of women nominated for Best Director this year, after Kathryn Bigelow’s historic win for The Hurt Locker in 2011. [...]
Queer Dance at U of Michigan
by THE FEMINIST SPECTATOR on FEBRUARY 22, 2012 · 1 COMMENT
I was in Ann Arbor last weekend for the first-ever conference on queer dance, co-organized by Clare Croft (whose dissertation I was pleased to advise at the University of Texas at Austin) and University of Michigan dance professor Peter Sparling. Two days of panel discussions, workshops, and film screenings were capped each evening by a [...]
Smash
by THE FEMINIST SPECTATOR on FEBRUARY 16, 2012 · 4 COMMENTS
With only two episodes aired, it’s difficult to say where exactly Smash, the new NBC series about backstage Broadway lives, will take us. Executive produced and so far written by playwright Theresa Rebeck, the show responds to Fox’s Glee by embedding lavish musical numbers in its story of a lyricist-songwriting team creating a Broadway show about Marilyn Monroe. [...]
Pariah
by THE FEMINIST SPECTATOR on FEBRUARY 3, 2012 · 3 COMMENTS
Dee Rees’s debut feature film is a terrific study of a teenaged girl who identifies as a lesbian, even though she lives under the heterosexual enforcement of an unhappy mother and a warm but philandering father.
Rees’s semi-autobiographical film does a beautiful job of narrating the double-life of Alike (Adepero Oduye), a very smart [...]
Albert Nobbs
by THE FEMINIST SPECTATOR on JANUARY 31, 2012 · 2 COMMENTS
Albert Nobbs has been Glenn Close’s passion project since she performed the title role in Simone Benmussa’s play, The Singular Life of Albert Nobbs, in New York in 1982. Her commitment pays off in a beautiful, starring performance in the film she co-wrote and co-produced. With her small eyes peering out of Albert’s guarded face, Close [...]
Continue Reading →
Canadian Theatre Review on Women and Trans Artists
by THE FEMINIST SPECTATOR on JANUARY 29, 2012 · LEAVE A COMMENT
Just a note to publicize an important new source of information on work by women and trans people in Canadian theatre . . .
The Feminist Spectator
Queer Performance: Women and Trans Artists
CTR 149, Winter 2012
Edited by Moynan King
CTR 149 includes performance texts by Jess Dobkin and Ivan Coyote along with critical essays and [...]
The Descendants
by THE FEMINIST SPECTATOR on JANUARY 28, 2012 · LEAVE A COMMENT
Writer-director Alexander Payne’s films—if About Schmidt, Sideways, and now The Descendantsare any indication—are sensitive, expressive investigations into white, middle-class, heterosexual masculinity. George Clooney, recently nominated for an Academy Award for his role, for which he already won a Golden Globe, plays Matt King, a real estate lawyer in Hawai’i whose life falls apart when his wife’s injury in a [...]
Girl with the Dragon Tattoo
by THE FEMINIST SPECTATOR on JANUARY 27, 2012 · 5 COMMENTS
David Fincher’s tense, moody film adaptation of the popular Stieg Larsson book actually improves on the reading experience. Where the book offered a great story with plodding prose, Fincher’s film cuts the narrative to the bone while staying faithful to Larsson’s plot and characters. The film’s visual style makes it a pleasure to watch, evoking [...]
George Jean Nathan Award for Dramatic Criticism, 2010-2011
by THE FEMINIST SPECTATOR on JANUARY 26, 2012 · 1 COMMENT
Just a note to say that The Feminist Spectator blog won the George Jean Nathan Award for Dramatic Criticism for 2010-2011. I’m delighted by this honor. The Feminist Spectator is the first blog ever to receive the award in its 56 year history, and I’m only the seventh woman to win in the history of [...]
Codependent Lesbian Space Alien Seeks Same
by THE FEMINIST SPECTATOR on JANUARY 10, 2012 · LEAVE A COMMENT
I had the pleasure of seeing Codependent Lesbian Space Alien Seeks Same at the Galway Film Festival in Ireland last summer. It’s now playing through January 12 at ReRunGastropub Theatre in DUMBO (more info below).
The film, written and directed by Madeleine Olnek, is a lovely, quirky, comic fantasia, with a beautifully understated performance by [...]


